Vyzygoth

PHIASCO PHOTOS

SHUCKING FOR 9-11

Let not them that are mine enemies wrongfully rejoice over me;
Neither let them wink with the eye that hate me without a cause.
--Psalms 35:19

Capturing stills from movies for the purpose of exposing what might be 9-11 subliminals by those occultists who wave the Wood of the Holly began with Dr. Rebecca Carley's appearance on The Grassy Knoll. Carley made a statement that quite probably is the most memorable remark ever made on the program. During the October, 24, 2003 show she said: "It's time for us to turn the light on these Freemasons . . . because, in their sick code of honor, as it turns out, as long as they tell us what they're doing, they can get away with it . . . They're telling us what they're doing in the Sci-Fi channel primarily . . . and, you know, movies that are done, like 'Conspiracy Theory,' and a lot of Mel Gibson movies, as it turns out, that's where you find out the truth. And, so, people have to realize that's how they get away with things."
This statement also impacted Australian John Valentini, who went about researching pre-9-11 movies for possible subliminals that were actually portending that infamous day of catastrophe. This is not to say that producers, directors, and actors are necessarily aware that a numerological element has been imbedded in the film, though you might suspect that someone knows in order to ensure 9-11 "snapshots" don't hit the cutting room floor. Currently John is receiving information from others who have also come upon 9-11 symbolism.

Why is this important?
Well, it might not be. But if you believe that the New World Order is, in fact, the prophesied Satanic takeover, then the NWO is a spiritual matter. In turn, if it is a spiritual matter, then you had better understand we are dealing with principalities of darkness and generational worshippers of Evil, who are, shall we say, no less than Knights in Service to Satan. So, if you feel the 9-11 numerology is deliberate, not coincidental, then knowing about this is important because it makes a statement about the perpetrators of 9-11: That they are nothing less than ritualistic serial killers. These Satanists do love their numerology and derive huge pleasure from the secret knowledge that the joke is on us--the useless feeders. That's what these 9-11 subliminals represent: occult high signs--a wink of the eye and nudge of the elbow--that they know something we don't. On September 11, 2001, these Satanists killed nearly 3000 people; and it may be that the plan was crafted at least as far back as 1990.
Daddy Bush, after serving as shadow President for the eight years of Ronnie Reagan's occupancy of the White House, no sooner stepped into the office of Chief Executive when he began spouting Theosophical clichés such as "a thousand points of light." Bush also began using the term "New World Order."
In Donald S. McAlvany's 1992 book, "Toward a New World Order: the Countdown to Armageddon," he writes: "George Bush and his government officials now refer to the New World Order one or more times in every speech he makes and has done so since the summer of 1990. Bush invoked the New World Order twice in his Helsinki summit address on September 9, 1990; four times in his address to Congress on September 11, 1990". Was Bush making the official pronouncement that a new epoch of evil had begun? Looking back on 9-11, perhaps there is no bigger in-your-face aspect than the one so huge that few can see it: Choosing the month's and day's numerals associated with the emergency number known as 911. The following gallery continues to expand. Are some of the appearances of 9-11 in films a coincidence. Are all of them a coincidence? Or are none of them a coincidence?
The following text and stills have been sent to me by John Valentini, who gets full credit for the work and a great debt of gratitude from me.


Undoubtedly an unfortunate coincidence: the original cover for the novel "Sewer, Gas and Electric: The Public Works Trilogy" (1997). Post 9-11 editions have omitted both WTC towers, one of which seems to have been impacted by a flying saucer. The saucer remains on the new cover design and is relocated slightly in front of the right column.	Undoubtedly an unfortunate coincidence: A pre-9-11 General Electric advertisement in an Italian magazine. Check out the "New York New York" model's mural.
	VYZYGOTH.COM
Undoubtedly an unfortunate coincidence: this is a pre-9-11 magazine advertisement for Maker's Mark bourbon, with its signature overpoured red wax down their bottles.

Computer Screen in Beverly Hills Cop II (1987)	Dialogue in A Time to Kill (1996)

Film: Face/Off (1997) Time: 00:54:13 Scene: Terrorist Castor Troy (Nicholas Cage) assumes the identity of FBI agent Sean Archer (John Travolta). Arriving home he digs around to discover Eve Archer’s (Joan Allen) diary in a drawer. He randomly turns to an entry dated September 11, 1997 with her thoughts about the vanity of life. She writes: ‘There are no absolutes for something so relative as a human life. What an absurd amount of energy I have been wasting all my life trying to figure out how things really “are” when all…’	Film: Awakenings (1990) Scene: Dr. Malcom Sayer (Robin Williams) and Eleanor Costello (Julie Kavner) discuss patients' status

Film: Batman (1989) Time: 00:15:11 Scene: Bruce Wayne (Michael Keaton) pays a visit to Vicki Vale (Kim Basinger) at her apartment. Directly below the gold number 9 are two black bars in the design on the door that together look like a subtle 911.	Film: Pearl Harbour (1999) Time: 00:12:20 Scene: During the medical examination Kate Beckinsale asks Ben Affleck to read the bottom three lines and we see 911 vertically.

Film: Gremlins 2: The New Batch (1990) Time: 01:10:51 Scene: A contingent of TV reporters (Heidi Kemp, Eric Shawn and Michael Salort) approach a New York City Cop (Frank P Ryan) preventing them entry to the Clamp Premiere Regency Trade Center and Retail Concourse skyscraper after becoming infested by gremlins. Their microphones display they work for channels 9 and 11 respectively	Film: Terminator 2: Judgment Day (1991) Time: 00:36:14 Scene: The Terminator (Arnold Schwarzenegger) and John Conner (Edward Furlong) are being pursued by the T1000 (Robert Patrick) who crashes a truck into a canal wall that reads: CAUTION: 9’-11’’

Film: Super Mario Brothers (1993) Scene: With the South Tower on fire and disintegrating, a plane impacts the North Tower--a reversal of the sequence of the two actual WTC impacts..	Film: Super Mario Bros (1993) Time: 01:30:36 Scene: As Mario Mario (Bob Hoskins) and King Koopa (Dennis Hopper) are transported between parallel dimensions the World Trade Center transforms into Koopa’s Tower. At the same time a plane eerily flies in between the buildings before impact.

Film: Godzilla (1998) Time: 00:41:46 Scene: Waiting for the bait to draw out Godzilla from the sewers of New York, biologist Dr Nick Tatopoulos (Matthew Broderick) checks the time on his wristwatch whose hands point to 9 and 11.	Film: The Sixth Day (2000) Time: 00:04:40 Scene: Adam Gibson (Arnold Schwarzenegger) checks his Double X Charter Schedule on his birthday. His appointments are at 9:00 and 11:00.

Film: The Siege (1998) Time: 01:23:00-01:23:38 Scene: New York becomes the target of terrorism after the US military abducts an Islamic sheik. FBI Terrorism Task Force leader Anthony Hubbard (Denzel Washington) teams up with CIA/NSA operative, Elise Kraft/Sharon Bridge (Annette Bening) to investigate the attacks. In their pursuit of the CIA-trained culprits the city erupts in escalating paranoia and madness that spirals out of control until the government declares martial law and sends in General William Devereaux (Bruce Willis). Unswerving in his mission he deploys his troops and seizes the male Arab-American population herding them in makeshift detention camps. Here Hubbard confronts him about his plans to torture and execute one terrorist inmate. In addition the media rhetoric relating to the attacks is eerily familiar to the post-9/11 reaction (01:07:39-01:08:38). Dialogue: Hubbard: Come on General. You lost men, I’ve lost men, but you, you, you can’t do this. What if they really want…What if they don’t even want the Sheik? Have you considered that? Huh? What if they really want is for us to herd children into stadiums like we’re doing? And put soldiers on the street and…and have Americans looking over their shoulders? Bend the law, shred the constitution just a little bit. Because if we torture him, General, we do that and everything that we have bled and fought and died for is over. And they’ve won. They’ve already won!	TV Show: The Lone Gunmen Episode Title: Pilot Original Air Date: 4 March 2001 Time: 00:29:25-00:30:47 Scene: Bertram R Byers (George Coe) comes out of hiding to warn his son, John (Bruce Harwood), about the impending realisation of Scenario 12D. In addition, the scenes of the terrorist attack disturbingly parallel 9/11 (00:40:42; 00:41:12). Dialogue: Bertram Byers: John. John Byers: Dad. [He goes over to his father. He starts to smile. His father then slaps him across his face.] Bertram Byers: What the hell are you doing? Why can’t you stay out of this? Leave me buried. John Byers: What is Scenario 12D? We know it’s a war-game scenario that it has to do with airline counter-terrorism. Why is it important enough to kill for? Bertram Byers: Because it’s no longer a game. John Byers: But if some terrorist group wants to act out this scenario why target you for assassination? Bertram Byers: Depends on who your terrorists are. John Byers: The men who conceived of it in the first place. You’re saying our government plans to commit a terrorist act against a domestic airline— Bertram Byers: There you go, indicting the entire government as usual. It’s a faction, a small faction. John Byers: For what possible gain? Bertram Byers: The cold war’s over, John but with no clear enemy to stockpile against, the arms market is flat. But bring down a fully loaded 727 into the middle of New York City and you’ll find a dozen tin-pot dictators all over the world just clamouring to take responsibility and begging to be smartbombed. John Byers: I can’t believe it. This is about increasing arms sales. Bertram Byers: Mm-hmm.

Film: Path to Paradise (1997) Time: 01:30:48 Scene: Ramzi Yousef (Art Malik), who built the bomb that was used in the World Trade Center bombing, is arrested in Pakistan and extradited to the US to await trial. As they fly over the Twin Towers he asserts ‘Next time we’ll bring them both down.’	TV Show:The Simpsons Episode Title: ‘The City of New York versus Homer Simpson’ Season/Episode: 9/01 Original Air Date: 21 September 1997 Production Number: 4F22 Time: 00:06:28 Scene: Homer Simpson receives a letter from the city of New York informing him that his car is illegally parked at the World Trade Centre. Having a negative impression of the place after a past experience there as a young man he is reluctant to retrieve it. However, the rest of the family are excited and holding up a flyer Lisa exclaims they can all travel there by bus. The flyer displays an eye-catching 9 above the city skyline and together with the Twin Towers prominent in the background remarkably resembles ‘911’.

Film: Problem Child 2 (1991) Time: 00:53:20 Scene: Ben Healy (John Ritter) and Junior (Michael Oliver) move from River Creek to Mortville. Their letterbox is a miniature replica of the house they live in with ‘HEALY 911’ written on it.	Film: Seven (1995) Time: 01:24:14 Scene: As Mills (Brad Pitt) and Somerset (Morgan Freeman) interrogate two men from the massage parlour the tape recorder rolls showing 0.09.11.


Film: The Big Lebowski (1998) Time: 00:02:59 Scene: Jeff Bridges writes a cheque at Ralphs store. The date on the cheque is September 11, 1991. He looks up at the TV to see George HW Bush condemning Saddam Hussein’s invasion of Kuwait.	Film: The Patriot (2000) Time: (1) 00:03:25 (2) 00:03:59–00:04:33 Scene: (1) Mel Gibson weighs a chair he has made. He says "Nine pounds, eleven ounces. That’s perfect. Perfect."


Film: Gremlins (1984) Time: 01:08:58 Scene: Zach Galligan gets into his Volkswagen Beetle with Gizmo and successfully starts the engine. He turns the radio on and the red dial is sitting between 9 and 11. Incidentally above the numbers it reads "Sapphire XI." Sapphire is the traditional birthstone for September and XI is the Roman numeral for 11, hence implying "September 11."	Film: Independence Day (1996) Time: 00:45:33 (Special Edition) 00:41:22 (Theatrical Version) Scene: As Air Force 1 evacuates the President and his family, Jeff Goldblum sets a laptop up to watch the countdown. When the camera cuts to a close-up one of the ticks is 00:09:11:01.


Film: The Peacemaker (1997) Time: 01:28:42 Scene: George Clooney and Nicole Kidman are in pursuit of a Yugoslavian terrorist who disembarks at New York’s JFK Airport. Stepping off the escalator Clooney anxiously looks around and behind him are desks 9 and 11.	Film: Enemy of the State (1998) Time: 01:28:06 Scene: Gene Hackman takes Will Smith to his compound from where they locate Jon Voight’s personal details on the computer. Gene Hackman states, "Reynolds, Thomas Brian. Born 9-11-40."


Film: The Thirteenth Floor (1999) Time: 00:53:20 Scene: Having accompanied Armin Mueller-Stahl to the Wilshire Grand, Craig Bierko trails Vincent D’Onofrio the bartender to a disused pool. Above the stairwell entrance is a clock whose hands point to 9 and 11, reading quarter to eleven. Yet when Bierko checked his watch previously it read quarter to midnight (00:51:28).	Film: Traffic (2000) Time: 00:02:17 Scene: In the opening sequence a drug van is pulled over and seized. When the van's cargo door is raised, boxes are revealed that have 911 written on them.


Film: The Pelican Brief (1993) Time: 00:41:22 Scene: Tony Goldwyn views video surveillance of Robert Culp and James Sikking discussing the Pelican Brief in the Oval Office. The time counter on the TV reads 09:11:44:01.	Film: Rugrats in Paris (2000) Time: 00:02:22 Scene: Struggling to dance at a wedding ceremony Chuckie’s shoelaces get tangled. He counts along with the beat: "Nine, eleven, twenty…"

This cover graphic on a Federal Emergency Management Agency/Department of Justice manual, published before May 1998, was given to Al Cuppett, who shows it on his video: "Black Operations and Prophecy." The North Tower, on which the crosshairs are fixed, was the first tower hit.	Film: Fight Club (1999) Time: 02:10:29 Scene: In the final scene the Narrator (Edward Norton) and Marla Singer (Helena Bonham Carter) stand at ‘Ground Zero’ (00:02:04) watching financial buildings implode and collapse before them.

Film: Die Hard (1988) Time: 00:00:50–00:01:45 Scene: New York City Detective John McClane (Bruce Willis) sits anxiously along side a Businessman (Robert Lesser) in a plane bound for Los Angeles. In an attempt to allay his fears about air travel the Businessman sparks off a conversation wherein each relates the amount of experience they have in their respective fields. Dialogue: Businessman: You don’t like flying, do you? John McClane: What gives you that idea? Businessman: You want to know the secret to surviving air travel? After you get where you’re going, take off your shoes and your socks. Then you walk around on the rug barefoot and make fists with your toes. John McClane: Fists with your toes? Businessman: I know. I know. It sounds crazy. Trust me. I’ve been doing it for nine years. Yes, sir. Better than a shower and a hot cup of coffee. John McClane: OK. [The plane stops. Passengers rise, start to take down overhead luggage. McClane does this, but as he opens the door above, the Businessman blanches seeing McClane’s Baretta Pistol peeking out from his jacket. Recognizing the look, McClane smiles reassuringly] It’s OK. I’m a cop. Trust me. I’ve been doing this for eleven years.	Film: Armageddon (1998) Time: 00:58:40 Scene: As Launch Day arrives for the crew of Freedom and Independence the countdown at the Kennedy Space Center in Florida visibly reads 09 minutes 11 seconds. In addition prior to the meteor shower striking New York a taxi driver wryly explains to his Asian passengers the reason for the traffic jam: “Anything could have happened. Look at that. Uh, let’s see. It could have been a terrorist bomb" (00:06:55). When the meteor fragments hit he exclaims "Oh, we're at war! (00:07:52) Saddam Hussein is bombin’ us!’ (0:07:56). The aftermath depicts the World Trade Center heavily damaged and smouldering (00:09:20).

Film: The Long Kiss Goodnight (1996) Time: 01:22:52-01:24:18 Scene: Samantha Caine (Geena Davis) attempts to rescue her daughter with aid from private detective Mitch Hennessey (Samuel L Jackson). Perkins (Patrick Malahide) captures them and subsequently explains the purpose of ‘Operation Honeymoon’. Dialogue: Perkins: I’m going to miss you Major. You ought really to have stayed dead. You don’t know the rules of the game anymore. Samantha Caine: Tell me about it. Eight years ago, this guy was on the hit list. Perkins: Budget cuts, dear. Congress blinded us overseas. I was forced to turn to any eyes and ears I could find, even if that meant recruiting the ‘bad guys’ here. Samantha Caine: Budget cuts—is that what this is about? Operation Honeymoon…Fuck me! You’re running a fund-raiser. Mitch Hennessey: Fund-raiser? Perkins: 1993…World Trade Center bombing, remember? During the trial, one of the bombers claimed the CIA had advance knowledge. [Chuckling] The diplomat who issued the terrorists’ visa was CIA. It’s not unthinkable they paved the way for the bombing, purely to justify a budget increase. Mitch Hennessey: You’re telling me you’re going to fake some terrorist thing just to scare some money out of Congress? Perkins: Unfortunately, Mr Hennessey, I have no idea how to fake killing 4,000 people, so we’re just going to have to do it for real. Blame it on the Muslims, naturally. Then I get my funding. Goodnight, old girl. Timothy I’ll be in chopper one.
"On the Road" by Jack Kerouac, 1955 Page: p. 108 in the "Penguin Great Books of the 20th Century" edition, 1999. "When daybreak came we were zooming through New Jersey with the great cloud of Metropolitan New York rising before us in the snowy distance. Dean had a sweater wrapped around his ears to keep warm. He said we were a band of Arabs coming to blow up New York."
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